Music Composers, Authors & Songs

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487
Stoughton, Roy Spaulding
1911. ASCAP 1942. Educ: public schools. Began writing in youth; World War II, with 665th Tank De­stroyer Bn. Songs: "You Rhyme with Everything That's Beautiful"; "Mak<* Believe Ballroom Time"; "If Loveli­ness Were Music"; "A Story of Two Cigarettes"; "American History in Song" (book of ten songs for chil­dren); "Bible Stories in Song" (a book of ten songs for children), "The Best in the West" (folio of fifteen western and hillbilly songs); "There's a Landing Field in Heaven", "What Did you Do Last Night"; "Faithful to You"; "I Guess I'll Have to Dream the Rest"; "We're Marching to a Bet­ter Tomorrow"; "Heaven in a Side Street Cafe"; "I'm Gonna Sue Sioux City Sue"; "Jamaican Rumba"; "My Whistle Won't Be Dry"; "A Dollar Ain't a Dollar Any More"; "Hymn of the Hills"; "I Thought She Was a Local (But She Was a Fast Ex­press)"; "Playmate Polka"; "Cannon-ball Yodel"; "Old Doc Brown"; "Come Wet Your Mustache With Me"; "My Amour"; "Payday Polka"; "Making Excuses for You." Home: New York, N.Y. Address: ?<' ASCAP.
Stordahl, Axel, composer; b. Staten Island, N.Y., Aug. 18, 1913. ASCAP 1945. Educ: public schools, Staten Island, Port Richmond High School. Three years arranging foi Ben Block, seven years Tommy Dorsey. Latterly conducting and arranging for Frank Sinatra, radio and television. Songs: "Dav by Day"; "I Should Care"; "Night After Night"; "Ride Off'; "Talking to Myself About You"; "Ain'tcha Ever Comin' Back?"; Home: Los Angeles, Calif. Address: c/o ASCAP.
Stothart, Herbert, composer, conduc­tor, pianist, motion-picture executive; b. Milwaukee, Wis., Sept. 11; d. Los Angeles, Calif., Feb. 1, 1949. ASCAP 1923. Educ.: public schools; Mil­waukee Teachers Coll., Univ. of Wis-
consin. Became interested in com­position and choral work through activities in church services and choirs. Taught in Milwaukee public schools; became member faculty, Univ. of Wisconsin, specializing in Musical Dramatics and Glee Club activities. To Europe for advanced musical studies; returning, active in stage musicals in Chicago, in collabo­ration with Joseph Howard, and in New York, Friml, Youmans, Gershwin, Kalman and Kalmer and Ruby. From 1929 in Hollywood as general musi­cal director and collaborator on film musical productions: The Rogue Song; Devil May Care; Firefly; May-time; San Francisco; Rose Marie; Naughty Marietta; The Merry Widow; Wizard of Oz. Scored many films, original music: Conquest; The Good Earth; Romeo and Juliet; Mutiny on the Bounty; Kismet; Mrs. Miniver; The Green Years; Picture of Dorian Gray. Other works incl. music pag­eant: China; contata: Voices of Liberation. Songs: "Sweetheart Darling"; "The Donkey Serenade"; "The Cuban Love Song"; "Tramps at Sea"; "Rogue^ Song"; "When I m Looking at You"; "Shepherd's Sere­nade"; "I Wanna Be Loved By You"; "Bambalina." Address: Estate, c/o ASCAP.
Stoughton, Roy Spaulding, composer; b. Worcester, Mass., Jan. 28, 1884. ASCAP 1941. Studied piano with Everett J. Harrington, Worcester; or­gan at Sumner Music School, Wor­cester; composition with Arthur W. Knowlton, Boston. For twenty-five years music composition his avoca­tion, then on cditoria? staff of music publishing company. From nineteen, playing organ in church and com­posing. Works: two stage produc­tions, Tlie Spirit of the Sea, ballet and The Vision of the Aissawa, Algerian Dance Drama. For organ: Persian Suite; Egyptian Suite; In India, suite; In Fairyland, suite; Tanglewood